Making it in LA

LA

Los Angeles is globally recognized as the entertainment capital of the world. One in every six of its residents works in a creative industry. There are over 1,000 musical, theatre, dance, and performing groups. According to research by the University of Southern California there are more artists, writers, filmmakers, actors, dancers and musicians living and working in Los Angeles than any other city at any time in the history of civilization.

Martin Jago, RWCMD acting graduate, talks about his move to the City of Angels.

Martin Jago

I loved my time at RWCMD and besides superb training and facilities, forged some lifelong friendships. After graduation I taught acting in London for a while but didn’t feel like I was going anywhere. I decided that moving to LA might just be the push that I needed.

I now live, work and play in Los Angeles and love every minute of LA life.

Hollywood is an acting mecca, there are a huge volume of castings to keep actors busy and I have managed to work pretty much continuously since arriving in 2007.

LA has a can-do culture and castings are abundant

My first LA job was with award-winning commercials director, Andrew Douglas. Two weeks later I booked a voiceover job with another award-winning director, Nick Peterson. Several voiceover jobs later and I was taken on by Danis, Panaro & Nist, one of the world’s foremost voiceover agencies, representing the likes of Samuel L Jackson, Jeff Goldblum and Sir Ben Kingsley.

I currently have a national commercial running, I’ve just completed a voiceover on the new Ghost Recon game for XBox 360 and my voiceover of two Shakespeare adaptations with fellow alumnus, Alexander McConnell, recently toured the States with interdisciplinary dance and theatre troupe, ByCoastal Productions.

British actors are particularly welcomed and respected here. The level of training we receive in the UK, exemplified by the excellent training at the RWCMD, is second to none.

I continue to teach in LA, running Shakespeare classes for actors in Santa Monica. My book, To Play or Not to Play: 40 Games for Acting Shakespeare, secured me literary representation in New York earlier this year and – fingers crossed - publication will follow soon!

What made you choose to study at RWCMD?
1) The faculty. Excellent teaching staff was key: Marilyn Le Conte and Dave Bond, amongst others.

2) The facilities. The facilities at RWCMD are first rate. Many other drama schools can't compete in terms of space alone.

3) The location. Cardiff is a great city - clean, green and easy to get around. And the all important cost of living is far cheaper than elsewhere.

What advice would you give current students?
Network. Put yourself in front people as much as possible.

Know the 'business' of acting. Write strong, succinct letters that use positive language and focus on your strengths. ALWAYS follow up letters and emails with a phone call. Always try to make a connection, have a hook or point of reference in your letters i.e. a referral, a recommendation, perhaps you did a workshop with them or saw a production they directed.

Make the most of the contacts you already have - they are the directors, producers and other actors with whom you have already worked.

Get the best head shots you can afford. Invest in a show reel and a voice reel and upload them onto reputable actor websites. Sell yourself.

Go to classes, workshops and seminars. Even though you've trained for three years, you still need to practice. Getting rusty erodes confidence. By going to class you keep up your skills and take care of the business side - being out there, knowing what's going on, picking up information on castings, call-backs, who's who, etc.

Be proud of the range of roles you had chance to play at drama school. It demonstrates that you have range and flexibility.