10th March 2009

Inside the Actors' Showcase


Q & A with Jamie Garven, Senior Lecturer in Acting

Every year graduating acting students take part in a showcase.  They are given two minutes and five seconds to prove themselves in front of agents and casting directors. Such a brief time on stage is a daunting prospect, “nerve racking and exciting!" as one student, Joanna Simpkins puts it. But the agents do not come to criticize, they are looking for new talent so it’s important to be positive and make sure the audience has a good time. But with only two short minutes is it really possible to demonstrate your true potential?

student showcase 2009

What exactly is the Showcase?

We perform every year in February/March in Cardiff, Manchester and London. It’s an important feature of the year. The students get a chance to show themselves by choosing a monologue or a duologue or some combination of those two things. They have just enough time to show a couple of their skills (when they might have ten!). Think of it as a trailer, rather than a film.

We make sure our showcases stand out from the rest by making the experience an enjoyable one. We hire good catering services, have live music and generally make sure there is a good atmosphere. If the agents enjoy the experience they are more likely to come back next time.

What brief are the students given? Does the Showcase follow a theme?

showcase 2009

It doesn’t have a particular theme. The students can choose from plays, film, television, sketch shows or material they’ve written themselves. People have done bits from novels before now. The agents tend to think of it in relation to TV so we normally avoid things like Shakespeare. Each piece must have changes, the character needs to make a journey.

All the actors have a unifying style. They wear clothes that don’t contradict the character they are playing but are not a costume. This year they were quite casual but in the future we might do something like put them all in suits and dinner dresses. We use light, sound and a simple modern set to create an atmosphere. This year we used a white box designed especially to suit the Royal Court in London.

The Showcase changes year to year. We might feel that one year it is slightly too funny so next time we try and get some more serious work in there; we might feel it is a bit too serious so we add a bit more comedy. We’re always trying to balance it, and we’re always listening to the agents and getting feedback about what they want to see.

How do the students prepare for the showcase? Are they given much help?

The process is one of trial and error. They bring a piece into class and perform it in front of their classmates. Then we sit and assess whether it’s a good choice for them. We are looking for something that suits the person, and, rather like a good photograph, demonstrates some aspect of them. In two minutes you can’t show everything.

showcase 2009

Peers and lecturers give feedback and advice, and industry professionals come to the College throughout the year to give talks and take classes.

We start thinking about the choice of pieces from September, trying out different things in class each week. In December they do a dummy run of the show and in January they make their final decisions. When February/March time comes we put the show on very suddenly; we start rehearsing on a Monday and by the next Monday we have the show.

It must be an emotionally stressful experience. How do the students cope?

It is a tense situation. The students have to learn how to relax and connect with the audience. The show must have exuberance. They can’t be worried. They need to get on and hit it immediately. They are also encouraged to give the audience a sense of who they are. We are working on them as much as on the piece. 

Who comes to the Showcase?

The London show attracts the biggest audience. We’ve performed at the Royal Court for the last three years where we generally see more than 120 agents and casting directors.

The Cardiff audience is also made up of professionals from across the industry as well as other students, while the Manchester audience is smaller - between about 30 and 50 people and again includes casting directors, agents and directors.

showcase 2009

What is the aim of the Showcase?

The main reason is to get students into work. It’s all about networking.

showcase 2009

In Cardiff the agents come to all the College shows which takes the pressure off a bit. They usually pick five or six students that they are interested in representing.

For London and Manchester it is really the start of a long process. If they are interested in a student they will phone them after the showcase, they would then have a meeting with the candidate, then they might come to see a show… All before they decide whether to take that person on.

However, the showcase can also be seen as an exercise in presenting yourself, being at ease in a high pressure situation and in communicating with an audience.

Has the Showcase contributed to students’ successes in the past?

Yes it has. As a result of the 2009's Actors' Showcase, nineteen RWCMD students have already been snapped up by agencies.

On the other hand it's important to remember that some actors do go on to find success in other ways. Jo Joyner didn’t do well from the showcase at all. It took her until four years after graduation to gain recognition and she now has a successful career with a part in Eastenders


Here are just some of this year’s successes:

  • Matt Aubrey was spotted at the London Showcase by United Agents and subsequently secured roles with the BBC playing Tom in Framed alongside Eve Myles and Trevor Eve, and in major new drama, Laconia, written by Alan Bleasdale.
  • Elin Phillips was signed by Gemma McAvoy for Emptage Hallett and has secured one of the leads in a new Welsh hospital drama, Crash.
  • Catrin-Mai Huw signed has to Regan Rimmer Wales and landed a part in Gavin and Stacey.
  • Sarah Ovens has signed to Independent Talent. She has been filming for the new Harry Potter film and has won the part of Miss Martin in the BBC’s Emma.

“Absolutely amazing – quality outstanding” – Piers, Roger Carey Associates